![]() ![]() Undoubtedly, Skyscraper needed to strike a balance of set pieces that focused on the threat of the building's height and the fire blazing inside, and the movie's final fight sequence does feature something different. Certainly, Skyscraper plays with the tension of Will attempting death-defying feats thousands of feet in the air, and it works in certain scenes, as audiences hold their breath to see if he'll be able to survive. However, that tension wears thin as the movie goes on, so that the threat of Will falling to his death becomes dimmer and dimmer as he manages to save himself just in the nick of time, again and again. ![]() Unfortunately, the action set pieces aren't particularly innovative. McKenna Roberts and Dwayne Johnson in Skyscraperįurther, the story of Will and his family largely feels like the loose connective thread tying Skyscraper's action sequences together. The resulting movie puts a focus on Will and his family, but Skyscraper sacrifices a great deal of potential (in terms of exploring its concept) for a routine action premise. So, Will and his family are the first to actually live in The Pearl, but that also means they're the only ones in danger when The Pearl catches fire. The security assessment Will conducts for Zhao Min Zhi is for the insurance company, and the building must be insured before anyone can move into the residential section of The Pearl. However, Skyscraper never really capitalizes on the premise of something wrong in a building that's meant to exist as its own society removed from the rest of the world. And, throwing a wrench in what's essentially meant to be a modern wonder of technology is a compelling enough premise to explore in a film. The concept of Skyscraper is interesting enough, setting this action thriller in the tallest building in the world - one that has everything its residents could possibly need from a park and health center to a movie theater and shopping mall. ![]()
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